Category Archives: finished quilts

Nine Patch Blues Quilt

Nine Patch Blues back and front

I love this quilt.  I so enjoyed making this quilt and watching it come together.  I love high contrast fabrics so much and putting them together with white solid fabric is so eye catching.  After I finished the Zuzu quilt, I really wanted to do something similar, only with squares.  I knew I wanted patchwork, but I didn’t want the whole quilt to be patterned fabrics, so I broke it up with blocks of white and I think the design is bold because of it.

Nine Patch Blues Quilt Front

I have lots of gorgeous blue fabrics from a block of the month club I joined and decided I did not like.  I didn’t like the blocks, but I loved the fabrics – gorgeous Cotton & Steel, Robert Kaufman, Art Gallery, Carolyn Friedlander, etc.  These were so fun to sort through and select for the quilt.

Nine Patch Blues folded

 

Nine Patch Blues layers

For the construction of this quilt, I made nine-patch blocks by cutting 3″ strips of fabrics from the width of fabric and then cutting those down to 3″ x 10″ strips.  I sewed three strips together, randomly, and then subcut these into 3 strip sets.  Then after I had sewed multiple strip sets, I sewed these randomly together to get nine-patch blocks.  I pressed all the seams one way on all my strip sets, so I could nest the seams together when I did the nine-patch blocks.  Make sure all the seams are pressed the same way on your finished blocks so that you can alternate seams on your rows and nest them together.

 

After your blocks are sewn, trim them to 8″ square.

 

 

After I had all my nine-patch blocks finished, I cut  8″ squares of solid white.  Then I laid out the quilt randomly, alternating nine-patch blocks and white blocks.  I made 46 nine-patch blocks and cut 17 squares of solid white.

Nine Patch Blues Quilt Rolled

I was going to do a scrappy binding, but then decided to use a tiny navy blue and white dress stripe from Dear Stella that I thought went nicely with the quilt.  I did my usual machine binding for extra durability.

I stitched in the ditch for the quilting, because I felt I didn’t want the quilting to interfere with the beautiful patterns in all the fabrics.

Nine Patch Blues Binding

Nine Patch Blues binding detail

Nine Patch Blues stacked

I also used TWO layers of Warm and Natural Warm and White cotton batting again. This makes the quilt extra heavy and extra warm and it has become my favorite way to make a quilt now.  I just love the extra heft and weight that it gives a quilt.  I actually gently prewash my batting because I don’t want it to shrink much when it’s in the quilt and laundered in the future.  Warm and Natural batting actually holds up well in a gently prewash, but other battings I’ve used do not.  I think that shows how well the batting will hold up once it’s in the quilt and going to be washed for years to come.

Nine Patch Blues detail

Nine Patch Blues folds

The backing fabric is an absolute favorite of mine – 108″ wide quiltback “Language of Colors” by Windham Fabrics.  I  just love this fabric and the punch it adds to a quilt, without competing with the front of the quilt.

Nine Patch Blues backing

The finished quilt is 52″ x 67″, a great size to snuggle up with.

This quilt is for sale and I’m listing this in the Shop.

Have a wonderful week!
Elaine

 

 

 

 

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The Zuzu Quilt

rgw-quilt-folds

This quilt all started with the backing fabric.  I saw this fabric and fell in love with it and knew right away I wanted to do a red, grey and white quilt top – a top with stark white fabric. The quilt backing fabric is Zuzu Circles by Alice Kennedy for Timeless Treasures.  Isn’t it just so awesome?

rgw-quilt-back

the-zuzu-quilt-front

I had a lot of fun picking out reds and grey fabrics from my stash.  I tried to only use fabrics that had a lot of high contrast to them.  I used Kona White as the background fabric and wanted the prints to really stand out against that.  I also cut up some of the backing fabric and used a little of that on the front, too.

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The quilt top was made up of one block that looked like this and that I randomly rotated all over the quilt top to get a random scattering of the prints:

rgw-quilt-blocks

The blocks were made up of eight 3″ x 2.5″ rectangles sewn together and then two 2″ x 8.5″ strips of white sewn onto the sides, to make an 8.5″ block.  I used some 8.5″ plain squares of Kona white to make some negative space on the quilt. There were 54 blocks total for the whole quilt, 6 across and 9 blocks down.

rgw-quilt-stacked

rgw-quilt-front-and-back

I used Warm and White cotton batting for this quilt – a must for white quilts where you don’t want the batting to dull the whiteness.  I used TWO layers of batting on this quilt – I wish you could feel how heavy and warm that makes the quilt.  I’ve been doing that a lot lately and really like it.  It still machine quilts up just fine.  If you use two layers of batting, do make sure that you use a heavier needle – a #14 quilting needle, to get through all those layers.

For the binding, I had to go with my favorite gingham binding and it was perfect because I had used some of the gingham in the quilt top.  It’s Robert Kaufman Carolina ⅛” Gingham in Silver.

rgg-quilt-binding-folds

rgw-quilt-stacked-2

This quilt finished at 48″ x 72″, a great size to curl up for a nap with – it’s long enough for just about anyone.  I never make my quilts more than 60″ wide, though, because that is the width of my ping pong table and that is where I baste them!  I can make them as long as I want, though.

rgw-quilt-binding

This quilt top sewed up so quickly – it was done before I knew it.  My least favorite part of quilting is sewing the quilt back together.  I’ve been using a method recently that makes this process a lot easier  ➡︎  I’m going to be posting about it next time, I hope!

Thanks for stopping by!
Elaine

rgw-quilt-stacked-and-folded

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Ombre Half Square Triangle Quilt

taupe-ombre-quilt-hanging

This is my last quilt for 2016.  It’s something I wanted to make for a while – a quilt that matches our bedroom colors.  It’s a nice throw size for when you want to take a nap back in the bedroom.  And I made it with one of my favorite fabrics, Ombre, from V&Co.  This quilt was made with just one color of Ombre!  It’s a gradiated fabric and it gives the appearance that you used several different fabrics.

taupe-ombre-quilt-folded

I made this quilt entirely from half square triangles.  I made them using an eight-at-a-time method, which I’m going to write about in my next post.  It’s a super fast way to make eight HSTs, sewing only two seams together and making 4 cuts.  I made the blocks 4.5″ and I made a total of 192 blocks.

taupe-ombre-quilt-front

I also did something that I did in my last quilt, which was to use two layers of batting.  I liked it so much in my Dotted Flying Geese quilt that I thought I would try it again.  It makes a very warm quilt.  I used one layer of Warm and Natural 100% cotton batting and one layer of Hobb’s 80/20 batting.  I was still able to machine quilt with no puckering or tucks.  I made sure to lower the tension on my machine.  I quilted with Aurifil 50 wt thread at a 4.0 stitch length.

taupe-ombre-quilt-back-detail

taupe-ombre-quilt-abck-and-front

For the backing, I used a favorite fabric – Modern Background Notes by Zen Chic. I love the writing on this fabric and thought it was perfect for this quilt.

taupe-ombre-quilt-stacked

taupe-ombre-quilt

I used a very simple binding, because I didn’t want the quilt to be too busy.  I cut 2.5″ strips for the binding and sewed it on by machine using this method.

The finished quilt measures 64″ x 48″.   I love the way it turned out and it looks so nice at the foot of our bed.

Thanks for stopping by and here’s wishing everyone a wonderful holiday season!

Elaine

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Dotted Flying Geese Quilt

 

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I always had a vision for this quilt – using only dotted fabrics of all sizes and only in black and white.  I used great big dots and pin dots and everything in between.  It made a very modern, bold quilt. Normally, I don’t like to make flying geese blocks because there’s so much wasted fabric but in a future post, I’m going to show you how to make them using a no-waste method. 

dotted-flying-geese-overhead-view

I thought about putting these flying geese on a white background but it seemed a little too stark.  I then pulled out one of my all time favorite fabrics from Zen Chic – Ink Modern Background in Grey.  I paired this with Robert Kaufman Kona Solid in Silver and randomly made all the backgrounds in the blocks from these two fabrics.

dotted-flying-geese-ink-detail

ink-zen-chic

The flying geese themselves were made of many different dotted fabrics from my stash.  I wasn’t able to identify every single dotted fabric but here are some that I know and are a favorite, in case you are wondering what some of them are:  Jumbo Dots by Loralie Harris – if you don’t know her line of dotted fabrics, check them out!  So very fun and inspirational.  Another dotted fabric I really love is Hello Bear Firefly in Whisper, an Art Gallery Fabric.

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dotted-flying-geese-quilt-overhead

The finished quilt is  55″ x 61′.  Each flying geese block was 3″ x 6″.  I made 180 blocks.  I made them using Bloc Loc rulers, which I’m going to write about in a future post.  This method made these blocks very easy to make and very accurate.

dotted-flying-geese-backfrontback

dotted-flying-geese-front-back

For the backing fabric, I wanted to keep the dot theme going so I chose a fabric from Robert Kaufman’s Spot On collection in Steel.  It’s  a 108″ wide fabric, perfect for a quilt backing. It was the perfect color and complement to the front, I thought.

For the batting, I did something very different.  For this quilt, I pictured a heavy, warmer quilt than just the regular layer of cotton batting.  But I didn’t want a tied quilt.  So I took a chance and used two layers of batting and machine quilted it.  It worked great!  And I ended up with a nice, heavy, more substantial quilt.  Very warm. I used two layers of The Warm Company’s “Warm Bond” quilt batting.  It’s an 80/20 batting, which they are actually discontinuing.  But I heard from The Warm Company and they say they are working on a new 80/20 batting, which should be available this November.

I ditch stitched the whole quilt because I just couldn’t picture a good quilting pattern that would look right on the flying geese.  I used a light gray Aurifil 50 wt thread on the top and a darker gray in the bottom, to match the backing fabric.

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dotted-flying-geese-closeup

For the binding, I just had to give the quilt a little pop of color with all that grey, white and black.  And the binding had to be a solid – no stripes or patterns.  There is just way too much going on with the quilt itself.  But which color?  After trying several possibilities, I ended up with the Kona Cotton Solid in Caramel.  I just love how it looks on the quilt.

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I’ll be putting this quilt in the Shop.

Have a great weekend, everyone!
Elaine

I’m linking up to Free Motion by the RiverSew Cute Tuesday and  Let’s Bee Social over at Sew Fresh Quilts!  Check it out!

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1930’s Style Diamond Scrap Quilt

30's Scrap Quilt on ladder

30's Scrap Quilt folded

I had such fun using these 1930’s vintage reproduction fabrics for this quilt.  They remind me of when I was young and my great grandmother died and I was given a large tin of her fabrics that she had cut out for quilting.  These fabrics remind me so much of those.

30's Scrap Quilt Full

I designed this quilt using Half Square Triangles, placed so that they looked like diamonds. Each HST had a vintage style fabric on one side and a low volume fabric on the other.  I’ve already received quite a few inquiries about the low volume prints, so I’m going to try to list as many as I can in this post with lots of links.

30's Scrap Quilt front back front30's Scrap Quilt layers

The finished block size (after sewing into the quilt) was 4″.  I cut 5.5″ strips and then cut these into 5.5″ squares.  From these, I made my HSTs and then trimmed them down to a working size of 4.5″.  There were 180 total HSTs.

Most of the low volume prints I used in this quilt were from the AWESOME Robert Kaufman collection called “Hints in Prints”. I purchased these fabrics from Pink Castle Fabrics in Ann Arbor. Finding this kind of tiny low volume print isn’t easy and this collection is so great.  Pink Castle has fat quarters of this collection and yardage.  These tiny prints were the perfect complement to the vintage style fabrics.

30's Scrap Quilt detail

The 1930’s style fabrics were some of my old favorites from Marcus Fabrics’ Aunt Grace line:  this cute blue, this awesome pink , this classic blue and this sweet old fashioned yellow.  I also used some cute fabrics from Penny Rose’s Milk, Sugar, Flower line that I love so much.  Then I used this sweet pink fabric from Windham’s Storybook Vacation line.

30's Scrap Quilt back

The backing is a special fabric from Japanese designer Atsuko Matsuyama for Yuwa.  It’s called “Language of Flowers” and it’s from the 1930’s collection – how appropriate.  It features lots of flower information and old fashioned classic recipes.  It looked like it fit this quilt just right.  I purchased this fabric also from Pink Castle Fabrics .

30's Scrap Quilt Back & Front

30's Scrap Quilt detail back

GSB Detail WIP

30's Scrap Quilt corner

The batting I used was Warm and Natural 100% cotton batting, my usual batting choice.

When I decided on how to quilt this project, I wanted to emphasize the diamonds, so I quilted on the diagonal, outlining the diamond shapes and then I did a vertical quilting down the rows and also stitched in the ditch.  I used Aurifil Natural White #2021, 50 wt. thread for the top and Light Sand #2000 in the bottom, to match the backing fabric.  The Natural White thread is a really nice soft white, not as stark white as the regular Aurifil White. I just thought it was perfect for the top.  I quilted at a 3.5 stitch length.

30's Scrap Quilt stacked

30's Scrap Quilt Hangin

The binding is one of the fabrics I used in this quilt –  Toy Chest Floral Field in Red – and when I was trying to decide on a binding, this fabric seemed like it gave the perfect pop to the quilt.  I love it. This fabric is just one of the line of sweet vintage fabrics designed by Sara Morgan called Toy Chest.

30's Scrap Quilt Binding

When I attached the binding, I used Aurifil #2260 Red Wine in the bobbin, to match the binding fabric on the back of the quilt.  I had the Natural White in the top thread.  I used my usual method of sewing the binding on the front, wrapping it to the back and then stitching in the ditch on the front to attach the binding to the back of the quilt.

30's Scrap Quilt rolled

The finished quilt is about 50″ x 60″.  It’s  just a great size for snuggling up with on the sofa and has a nice, soft drape to it.  It has such a sweet, vintage look to it.  I’m listing it in the Shop.         (This quilt has now SOLD)

Thanks for stopping in!
Elaine

I’m linking up to Crazy Mom QuiltsSew Fresh QuiltsFree Motion by the River and Blossom Heart Quilts.

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Mixed Up Maze Quilt

Mixed Up Maze Quilt Front

I’ve had such a great time making this quilt, from the fabric selection to the extensive grid quilting. This quilt came about by me experimenting with cutting up strip sets of solid colors. I played around with a few colors and in the end, decided that just two colors of high contrast had the most impact.

Mixed Up Maze Quilt folded

I sewed together 3.5″ strips, and then cut these into 6.5″ blocks.  I used 12 strips of each color to make all the blocks, for a total of 90 blocks. The colors I used were Robert Kaufman Kona Cotton Solids in Black and Tarragon.

Mixed Up Maze Quilt backing and front

I took all the blocks and arranged them so that they looked like they were in some pattern, but they actually weren’t.  This was enormously fun.  Really.   I had such a great time rearranging the blocks into all kinds of designs.  My youngest son, home on college break, walked by and said, “That looks like a maze”.  Hence the name.

Mixed Up Maze Blocks laid out

For the backing, I used a great fabric I’ve had in my stash for a while, patiently awaiting the right quilt.  And this was it.  The fabric is Color Names in White, purchased from Pink Castle Fabrics.  It complements the modern, graphic look of this quilt.  This is an excellent backing fabric, because it is a 108″ wide fabric, with no need to piece the back.  Yay.  Piecing backs is the only part of quilting that I don’t enjoy.

Mixed Up Maze Backing Fabric

Mixed Up Maze Quilt

I used Warm and Natural 100% cotton batting, a favorite.   I prewash and dry the batting so that there will be little to no shrinkage after the quilt is washed at some point.

I quilted this in an all over 1″ quilting grid, which took lots of time and focus, but was lots of fun.  It was addictive to see the texture developing, as more and more lines got quilted.  The quilt has a wonderful feel and drape to it, because of the quilting.

Mixed Up Maze Quilt layers detail

The thread I used on top for the quilting was Aurifil #2902 in Laurel Green.  It’s a 100% cotton thread from Italy and is wonderful.  It hardly produces any lint at all, even with extensive quilting. I used the 50wt.  I put a light color in the bobbin, however, to match the backing fabric.  To sew the grid, I just used my seam guide and attached it to my walking foot.

Mixed Up Maze Quilt Layers StackedMixed Up Maze Quilting

For the binding, I tried out a few different  fabrics and ended up using Sandhill Charcoal from M&S Textiles Australia.  I had to laugh because, coincidentally it was the same fabric in a different colorway that I used for the backing for my English China Quilt, a recent finish.  It’s  a really neat fabric and I loved the effect as a binding. When I sewed the binding on, I used the Laurel Green Aurifil thread in the top and black thread in the bobbin, to match the binding.

Mixed Up Maze folded horizontal

Mixed Up Maze Quilt overhead

Mixed Up Maze Quilt on bed

This quilt finishes at 54″ x 60″, a really nice size for a throw quilt.  I love the bold modern graphic feel of this quilt.  I think it would make a great design element in a room.

I’m listing this quilt in the Shop.

Thanks for coming by – hope you’re making something!
Elaine

Linking up to Sew Fresh Quilts and  Blossom Heart Quilts

Navy Blue & White Gingham Quilt

Navy Gingham Quilt stacked II

What fun this quilt was to make and what an impact solid fabrics can make in a design.  I am continually adding to my stash of Robert Kaufman Kona Cotton Solids and love using them.  I do love all things gingham so it was time to make a gingham quilt.

Navy Gingham Quilt binding detail Navy Gingham Quilt back & front

I absolutely love the high contrast of the navy and the white in this super soft quilt.

The solid fabrics I used were Robert Kaufman Kona Cotton Solids in Navy, Candy Blue and White.

Navy Gingham Quilt with label

White satin custom labels by Jennifer’s Jewels

Hanging Navy Gingham quilt

This quilt finishes at 44″ x 52″, a nice size for a child’s quilt.

Each finished block is 4″.  The cutting and piecing was straightforward:  I cut WOF strips of 4.5″ and then subcut them into 4.5 squares.  I cut 42 white squares, 71 light blue and 30 navy squares.

Navy Gingham Quilt wtih toy

Navy Gingham Quilt front and back

The backing fabric was a super cute alphabet/number print by Quilting Treasures called ABC/123 in Blue.  I love fabrics like this that can be used for playtime with a child to learn their numbers and letters – things that take me back to raising my boys.

Navy Gingham Quilt

For the binding fabric, I knew right away this coodinating stripe fabric from Quilting Treasures was what I was going to use. It has that zing factor for a binding and really pops against the solid fabrics.  I had to restrain myself from cutting this stripe on the bias, because I really love bias bindings – but I thought this stripe had enough punch to just cut it crossgrain.  And it does.  I made 2.5″ strips for doing the binding, which is my preferred method.

binding for navy blue gingham quilt

Navy Gingham Quilt binding

I used Warm and White 100% cotton batting for this quilt, which is what I use if there is a lot of white fabric in the quilt.  It is bleached batting and pure white, so that it doesn’t dull the whiteness of the fabric.  It handles and quilts up just like regular Warm and Natural batting.

Navy & White Gigham Quilt folded

I did a simple quilting at 3.5″ stitch length in Aurifil White thread.

Navy Gingham Quilt stacked

Navy Gingham Pillow

Of course, I had to make a little reading pillow to go with it!

Quilts like these can be used as a decorative accent in a child’s room, as play mats or just to snuggle up with.

I’m really pleased with this quilt and am listing it in the shop.

Thanks for stopping by !
Elaine

I’m linking to Crazy Mom Quilts, Sew Fresh QuiltsFree Motion by the River, Blossom Heart Quilts

English China Quilt

 

English China Stacked II

When I saw this fabric in my local quilt store, it reminded me exactly of some English Chippendale china that my husband’s grandmother gave us.  I love the look of that china and so I just couldn’t pass up the fabric.  I set about designing a quilt around that fabric as soon as I could.

English China Quilt with china

The fabric is called “Garden of Enchantment” by  Maywood Studios. Because of the large design in the fabric, I didn’t want to cut the fabric up into real small pieces.  I even entertained the notion of just cutting squares about eight inches and alternating them with some kind of patchwork.  In the end, I opted for doing hourglass blocks with a couple of different fabrics.

English China Quilt Front

The other fabrics I used were Robert Kaufman Kona Cotton in Bone and Art Gallery’s “Stamped”, a text fabric from  Amy Sinbaldi’s Paperie line, and a fabric I absolutely love and want to sneak into quilts every place I can!  This text fabric is delicate but adds so much.

English China Quilt text detail

English China block detail

The hourglass blocks are 8″ after being set in.  There was a total of 42 blocks in the quilt.

I quilted this with 40 wt. Aurifil Thread by doing a double diagonal line along the hourglass blocks with a 3.5 stitch length.  This was pretty easy, because I just used the width of my walking foot as the guide.

English China sewing

For the binding, I debated about it very little – I knew I wanted to use the Garden of Enchantment fabric itself.  I thought it finished the quilt the best, instead of using something completely different as an accent, which I usually do with my bindings.

English China with binding English China Stacked

English China Quilt Overhead

For the backing, I wanted something modern as a contrast to the more traditional front, so I chose a fun fabric from M&S Textiles Australia called Sand Hill by Anna Pitjara. It’s an aboriginal inspired print and I think it’s so interesting.

English China Quilt front and back English China quilt back and front

The batting is my usual 100% cotton Warm and Natural.  The quilt finishes at 48″ x 55″, a nice lap quilt size.

English China Quilt hanging

English China Quilt Layers English China quilt II

Thanks for stopping by – hope you’re making something!

Elaine

You may also want to see English China Quilt Work in Progress

I’m linking to Sew Fresh QuiltsFree Motion by the River and Blossom Heart Quilts.

Ombre Sunshine Quilt

Ombre Sunshine Quilt Front

Lately I’ve been writing about how  much I love Moda’s new fabric line called “Ombre”, designed by V and Co.  These fabrics are gradient solids which, when cut up, look like you’ve used multiple solids.  I really like using these fabrics and designed this quilt around two colors from this line – Honey and Graphite Grey – and I’m so pleased with the results.

Ombre Sunshine Quilt detail

I had this design in mind for a while – to do staggered Missouri star blocks.  I worked the design all out on graph paper and, because of all the varying negative space on this quilt, had to really do a lot of figuring and calculating – something I really like.  No two rows were alike.  There were some  miscuts and ripping out, though.  But that happens when you are not using a pattern!

One of the things I love best about this quilt is the grey gingham binding.  I have a nice stash of small size ginghams and  I think they make the sweetest bindings.

Ombre Sunshine Quilt Corners

Ombre Quilt Stacked

The background fabric is Robert Kaufman Kona Cotton Solid in White.  Because of all the white in the background,  I used Warm and White batting, a pure white batting from the Warm and Natural company which doesn’t create a dull background behind bright white fabrics.  And it has the same feeling and low loft of regular Warm and Natural batting.

Ombre Sunshine Quilt with toy

Ombre Sunshine Quilt Hanging

For the background fabric, I used this adorable flannel backing in Organic Cotton from Cloud 9 fabrics.   The yellow and grey elephants were so cute and just matched the Ombre colors so well. The flannel is soft and makes such a nice backing for a child’s quilt.

Ombre Sunshine Quilt back

Ombre Sunshine Quilt layers

The stars were made up entirely of Half Square Triangles, which finished at 2″ after being sewn in.  This is what I used as my quilting guide, so the overall quilting grid is 2″.   I used 50 wt. White Aurifil thread and quilted at a stitch length of 3.5.  The quilting makes such a nice texture and drape.

The finished size of this quilt is 36″ x 52″ .  I love how it turned out and have listed it in the shop.

Thanks for popping in!
Elaine

linking up to Crazy Mom QuiltsSew Fresh QuiltsFree Motion by the RiverSew Cute Tuesday

Peachy Keen Baby Quilt

peachy keen front and back

Between Amy Sinbaldi and Alisse Courter, I was in some kind of incredible Fabric Heaven in the making of this quilt.  I had fallen in love a while ago with Alisse Courter’s Magnolia line of fabrics for Camelot Fabrics and couldn’t wait to make a cute little girl’s quilt with the peachy pink fabrics from that line.  Then Amy Sinbaldi came out with her Paperie collection for Art Gallery Fabrics and when I saw her “Happily Ever After” fabric I knew it would go beautifully with those peachy pink fabrics.

peachy keen stacked

I didn’t want to cut these fabrics too much because I wanted the prints to really shine, so I decided on a 16-patch quilt.  I cut 3.5″ strips to make the checkerboard pattern for finished 3″ squares.  I think often this is the cutest pattern for baby quilts.

peachy keen happily ever after

Moda came out with a line called “Ombre” which is a gradient solid and I have found this fabric to be a real workhorse in quilts – it looks as if you’ve used two or three or even four different solids, but you haven’t.  And instead of trying to match a bunch of different solids, the Ombre fabric gives you a few different solids from the same piece of fabric. I love this fabric!  So I used a fat quarter of Ombre Popsicle Pink and got several really pretty solids from it.

peachy keen back and front

The other fabrics I used were Robert Kaufman Kona Solid in Baby Pink and Snapshot Hearts in Pink  from Riley Blake.  For the binding, when I held Squared Elements in Watermelon up to the quilt, it was the clear winner.

For the backing, I used Floral Lattice in White from the Magnolia Line.  Such a sweet design.   I love this particular fabric so much and it was so fun to see it as a full backing on a quilt.

peachy keen on bassinet

I used Warm and White 100% cotton batting for this quilt.  This quilt finished at 36″x47″, a nice little baby quilt that you could use on the floor,  snuggle up with or just as a pretty accent piece in a room.

peachy keen quilted toppeachy keen full front

peachy keep backing and frontpeachy keen stacked II

 

Can you tell I love this quilt?  I have put this quilt in my shop, but it’s hard to part with it!

This item has SOLD.

Hope you’re making something!
Elaine

I’m linking up to Sew Fresh QuiltsBlossom Heart Quilts and Free Motion by the River.